#COURTOIS TROMBONE REVIEW FULL#

So, while HoltonвЂ™s catalog dates from around 1920, he was all too happy to hold on to the photo from a few years earlier that shows the Sousa band trombone section playing his trombones. He played bass trombone with Sousa from 1891 through 1917.ДЄs we look at the dates when each of these six players were members of SousaвЂ™s band, itвЂ™s clear that the only time that they all played together was between 19. Garing played euphonium with Sousa from 1909 through 1917, but also sometimes played trombone with the band.Д®dward A. He played with Sousa from 1892 through 1917.ДЄthol John вЂњA. He played with Sousa between 19, and later in radio broadcasts the band gave in 19.Д®rnest E. He succeeded Leo Zimmerman as the bandвЂ™s principal trombonist. One page later, the Sousa bandвЂ™s trombone players are named (dates of service with Sousa are taken from Paul BierleyвЂ™s fine book, The Incredible Band of John Philip Sousa (Urbana: University of Illinois Press, 2006): 1920 catalog shows he scored a major coup: six members of SousaвЂ™s trombone section with Holton trombones. Here are a few pages from the Holton c.1920 trombone catalog with a little commentary about some of its famous players.ДЄn endorsement from members of John Philip SousaвЂ™s band carried weight. Holton subsequently left the band (under good terms with Sousa) and Pryor went on to be one of the greatest trombone soloists of all time. Then a young kid named Arthur Pryor joined the band and Holton, deeply impressed with the young playerвЂ™s talent, told Sousa that Pryor should be the bandвЂ™s soloist.

Frank Holton was an accomplished trombonist himself he was the trombone soloist in John Philip SousaвЂ™s Band in 18. Conn ruled the world of trombone endorsements in the early twentieth century that was an indication of their place as the leading American trombone makers of the time.

#COURTOIS TROMBONE REVIEW FULL#

The catalog is full of celebrity trombone endorsements. But celebrity endorsements have been with us for a long time and if that endorsement is credible-if the person actually uses the product thatвЂ™s being advertised-thatвЂ™s all the better for the manufacturer.ДЄ few years ago, I acquired an original copy of a trombone catalog issued by the Frank Holton Company around 1920. Now, everyone knows that using ChopSaver wonвЂ™t make you play like Joe Alessi any more than playing a YAMAHA trombone will make you sound like me or playing a Holton Superbone will make you sound like Ashley Alexander (I sure wish it did Alexander was a truly remarkable player on the Superbone and euphonium). Poignant messages of grief and loss but also of hope. Beautiful voices-some very smooth, others a bit rough hewn-exceptional musicianship, superb-and sometimes unexpected -accompaniments, and deep, heartfelt messages. Four very different kinds of singers: an opera singer, a Flamenco singer, a folk singer, a pop singer.

Here are four IвЂ™ve been enjoying lately that have been a real encouragement to me. Trained and untrained singers, young singers, old singers.В During this time of the coronavirus pandemic, IвЂ™ve been listening to a lot of singers from my collection of recordings. Classical singers, jazz singers, rock and pop singers, folk singers. Bass Trombone,вЂќ told me that his sense of phrasing was heavily influenced by the singing of Sinatra. The great bass trombonist George Roberts, вЂњMr. Frank Sinatra famously said that his sense of phrasing was heavily influenced by the trombone playing of Tommy Dorsey. Literally.ДЄs a trombonist, IвЂ™m very aware of the connection between the human voice and my instrument. There is something about the human voice-the first musical instrument-that speaks to all of us. Jesseye Norman, Mirella Freni, Thomas Quasthoff, RenГ©e Fleming, Kiri Te Kanawa, Ben Heppner, Anne Sophie von Otter, Hildegard Behrens, Kathleen Battle, Barbara Hendricks, Ian Bostridge, Dawn Upshaw, Susan Graham, Thomas Hampson, Frederica von Stade. During my long career as a member of the Boston Symphony Orchestra, I had the great joy of performing with some of the greatest classical music singers of the late twentieth and early twenty first centuries.

Courtois trombone review